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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Madame Sibly, Phrenologist and Mesmerist

Sibly irresistible

Magazine article by Alexandra Roginski, 2019

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Portrait 61

Summer 2018/19
Magazine

Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.

Self-portrait with bowler hat, 1885–6 by Paul Cézanne

Hail Cézanne

Magazine article by John Elderfield, 2017

John Elderfield lauds the portraiture of Paul Cézanne, the artist described by both Matisse and Picasso as ‘the father of us all’.

Study for commissioned portrait of HRH Crown Princess Mary of Denmark (profile head study)

Australian Princess

Magazine article by Katherine Russell, 2005

The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.

Staffordshire bull terrier belonging to the Rev. John Gower, 1851

Essential portraiture

Magazine article by Michael Desmond, 2011

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.

Pat Mackie

Blue Collar Icon

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow delves into the life of union leader Pat Mackie who is depicted in a portrait by Nancy Borlase AM.

Frances Alda

Bewitching

Magazine article by Roger Neill, 2006

Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.

Francois-Marius Granet, 1807

Ingres in Paris

Magazine article by Andrew Sayers AM, 2006

Jean-Auguste-Dominique Ingres was one of the greatest portrait painters in history.

Helena Rubinstein in a red brocade Balenciaga gown

Study in scarlet

Magazine article by Angus Trumble, 2018

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Florence Austral

Pretty in peach

Magazine article by Joanna Gilmour, 2008
It's remarkable that the inner Melbourne suburb of Richmond has produced two of Australia's most successful opera singers. Three decades apart, but within a short distance of each other, both Helen Porter Mitchell and Florence Wilson were born.
Tony Bilson

Eating the seasons

Magazine article by Dr Anne Sanders, 2019

Anne Sanders imbibes Tony Bilson’s gastronomic revolution.

Unheroic Materialism: little harmless fragments of memory and association: a portrait of Angus Trumble, 2019 Evert Ploeg

The last word

Magazine article by Dr David Hansen, 2022

David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.

Barbara Blackman

Life class

Magazine article by Leonie Hellmers, 2004

Barbara Blackman reflects on her experiences as a life model.

Portrait of Florence Broadhurst

Be bold

Magazine article by Katherine Russell, 2007

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency